{
 "slug": "preset-angle-pass",
 "name": "More angles from one take",
 "category": "preset",
 "group": "Production",
 "media": [
  "video"
 ],
 "checked": "2026-11-13",
 "effect": "One filmed take gains close-ups, low angles and profiles without a second camera.",
 "use_when": "Founder videos and interviews shot on one phone.",
 "phrase": "hold the person, the words, the lip sync, the room and the light exactly as filmed and change nothing but the camera; then one line per shot with its timecode and where the camera stands",
 "pitfalls": [
  {
   "text": "Budget three or four generations per sequence and cut the good seconds from each; in the creator's own example the first two attempts kept the wrong angle.",
   "evidence": "practitioner",
   "source": "Director Chair notes on Seedance 2.5 infinite angles (Rourke Heath)"
  },
  {
   "text": "Keep the prompt short, 120 to 200 words. His stated reason: long prompts drift back to the original angle.",
   "evidence": "practitioner",
   "source": "Director Chair notes on Seedance 2.5 infinite angles (Rourke Heath)"
  },
  {
   "text": "Priced by our CLI on 22 Oct 2026 at 16 credits a second at 1080p: a 22-second sequence is about 350 credits per attempt.",
   "evidence": "measured",
   "source": "Director Chair notes on Seedance 2.5 infinite angles (Rourke Heath)"
  },
  {
   "text": "Our own measurement in video edit mode found one camera change per run; the reference mode he uses is not yet run by us.",
   "evidence": "measured",
   "source": "Director Chair notes on Seedance 2.5 infinite angles (Rourke Heath)"
  }
 ],
 "per_model": [
  {
   "model": "seedance-2.5",
   "phrase": "the clip in the video reference slot, a duration one second longer than the clip, one scope line that locks everything but the camera, then one timecoded line per shot that says where the camera physically is",
   "evidence": "practitioner",
   "checked": "2026-10-22"
  }
 ],
 "external_refs": [],
 "licensed": [],
 "site_names": [],
 "related": [
  "cut-to-new-angle",
  "preset-character-replacement",
  "draft-before-1080p",
  "guide-seedance-2-5"
 ],
 "rights": "own-work",
 "evidence": "practitioner",
 "source": {
  "url": null,
  "note": "Own words from Director Chair notes on Seedance 2.5 infinite angles (Rourke Heath)"
 },
 "body": "",
 "shown_with": null,
 "url": "https://directorchair.ai/preset/preset-angle-pass",
 "markdown": "https://directorchair.ai/preset/preset-angle-pass.md",
 "prompts": {
  "chat": "Give me a production plan: the shots or scenes in order, what each one needs, and the edit settings, for a short video about [your product], for [your audience]. The technique is more angles from one take: one filmed take gains close-ups, low angles and profiles without a second camera. How it works: hold the person, the words, the lip sync, the room and the light exactly as filmed and change nothing but the camera; then one line per shot with its timecode and where the camera stands. It is right for: founder videos and interviews shot on one phone. Budget three or four generations per sequence and cut the good seconds from each; in the creator's own example the first two attempts kept the wrong angle. Keep the prompt short, 120 to 200 words. Be concrete: numbers, seconds and settings, no theory. Ask me one question first if something you need is missing."
 },
 "licence": {
  "code": "MIT",
  "text": "CC BY 4.0",
  "third_party": "Clips and card texts inside a \"licensed\" block belong to their makers and are shown with permission and credit."
 }
}