Composition

The subject of every shot sits in the exact centre of the frame and the effects play around it.

Perfectly centred, the corridor symmetrical on both sides, the person in the exact middle.

The product small in the lower right, the rest of the frame plain empty wall.

The person on the right third of the frame, her eyes on the upper third line, open space to the left.

The lines of the railway track run toward her standing in the distance.

Open the prompt with the framing and a test: full figure, if her shoes are not visible it is wrong.

Medium shot, front three-quarter left, eye level, 35mm.

Her feet on line 88 of 100 from the top, everything below empty.

The top of the panel clears the top of her head by about a quarter of her height, a contact shadow under each foot.

The running shoe drawn entirely in city street maps, the outline of the shoe intact, on plain paper.