Colour looks

One paragraph with the camera, the lens, the stock, the light and the grade, pasted word for word into every prompt of the job.

Bleach bypass look, raised contrast, low saturation, silvery metallic shadows.

Balanced natural colour, cyan-green in the shadows, a touch of red in the midtones, blues swung toward cyan, the brightest highlights less saturated.

Cool desaturated colour, blue-grey shadows, skin kept natural, firm contrast.

Film print look, saturated colours get darker instead of brighter, highlights roll softly into white, midtone contrast, a slight warm and cool split between highlights and shadows.

Warm skin tones against cool teal shadows, the complementary pair kept subtle.

Warm golden tones, soft contrast, slightly lifted shadows, gentle grain.

Shot on 35mm film, rich dense colour, soft highlight rolloff, a limited palette of two or three hues, fine grain and a hint of halation around lights.

Bright and clean, strong contrast, the product colours rich and exact, everything else slightly muted, a soft glow on the highlights.

Natural colour, slightly warm skin, moderate contrast with open shadows, a gentle film curve, no colour push.

A little more midtone contrast than for a big screen, colours natural not boosted, shadows with detail, whites not clipped.

The face about a stop brighter than the wall behind, warm skin against a slightly cooler background, a thin rim of light on hair and shoulders, deep but not crushed blacks.

Even bright light, accurate colours of controls and signs, no stylised contrast, nothing hidden in shadow.