At 2.6 seconds, on the line that names the second camera, cut to a position 45 degrees to her right at eye height, the bookshelf now behind her.

Cut to a new camera on the line

One take feels like a multi-camera shoot.

Use when: Interviews and talking heads filmed on one camera.

Prompt instructions

Scene: [your subject] in [your setting]. Shot 1 (0:00 to 0:05): one continuous shot. Cut: at 2.6 seconds, on the line that names the second camera, cut to a position 45 degrees to her right at eye height, the bookshelf now behind her

Seedance 2.5 reads labelled blocks with timecodes.

SubjectSetting

Watch out

Let the dialogue direct the cuts: cut on a line or a clear action about every 3 to 4 seconds, and make back-to-back shots different sizes.practitioner: Director Chair notes on Seedance 2.5 infinite angles (Rourke Heath)
In the creator's own demo it took three or four generations per sequence and one kept clip has a gesture that lands late. Keep the filmed take as the master and interleave the new angles.practitioner: Director Chair notes on Seedance 2.5 infinite angles (Rourke Heath)
Describe left and right by landmarks in the room; bare left and right flip.practitioner: Director Chair notes on Seedance 2.5 infinite angles (Rourke Heath)

One filmed take gains close-ups, low angles and profiles without a second camera.

More angles from one takePrompt