Director Chair
All groups

Every cut and reveal lands on a beat of the music, and the big hits land on the first beat of a bar.

Sound

Cut on the beat

The edit feels locked to the music.

Use when
Music-led montages, launch films, showreels.

Prompt instructions

You are my video producer. Give me a sound brief: what to record or pick, where it sits on the timeline, the levels, and what to check before export, for a short video about [your product], aimed at [your audience]. Technique: Cut on the beat. The edit feels locked to the music. How it works: Every cut and reveal lands on a beat of the music, and the big hits land on the first beat of a bar. Right for: Music-led montages, launch films, showreels. What we learned from tested runs: - Build to a grid from the tempo: at 120 beats per minute and 30 frames per second a beat is 15 frames, so a four-beat scene is 60 frames. - Lock the picture before the sound goes on. - Let one element react to the audio level. Be concrete: numbers, seconds and settings, no theory. Ask me one question first if something you need is missing.

Paste it into Claude, ChatGPT or Gemini.

Watch out

Related

Sources

Own words from Director Chair field notes on motion graphics Checked 2026-11-13.

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